Sunday, April 23, 2017

Sorry to miss Brockton Symphony's Season Finale

The Concert I missed. I was to serve as "emcee" or Master of Ceremonies for this, the final concert of the season.
The message I sent: "The itch in my lungs from the last few days has morphed into a cough that comes in loud and drawn-out bursts that would embarrass me and disrupt the performance."
I'm happy that I had prepared this one-minute promo for the concert, and am pleased with how it came out. Here's the text:

The Brockton Symphony Orchestra wraps up its 69th Season with Symphonic Spirituals at 3:00 PM on Sunday, April 23rd at the Christ Congregational Church.
It opens with the Overture to Hérold’s comic opera Zampa, followed by a suite of spirituals by local composer Eric Lindgren, including Joshua Fit the Battle of Jericho and others, performed by bass-baritone Oral Moses. The concert concludes with Dvorák's New World Symphony, inspired by African-American spirituals and Native American melodies.
Adult tickets are Twenty dollars, seniors and students fifteen, children 18 and under, free. Order at Brockton, call the Symphony at 508-588-3841, or purchase at the door. That’s 3:00 PM, Sunday, April 23rd at the Christ Congregational Church, 1350 Pleasant Street in Brockton
The Brockton Symphony Orchestra – A Greater Brockton Treasure! Sponsored by Harbor One Bank.

Monday, January 30, 2017

Promoting another wonderful Brockton Symphony Orchestra concert

Here's the radio ad copy for yet another wonderful Brockton Symphony Orchestra concert:

The Brockton Symphony Orchestra sends you an Invitation to the Dance, Sunday, March 12th at the
Christ Congregational Church in Brockton. Witness the American premier of William Perry's Two Dance Pieces for Trumpet and Orchestra featuring our beloved principal trumpet, Wayne King. Marvel at 11 year old prodigy Hayden Idson’s mastery of the cello on Tchaikowsky’s Pezzo capriccioso. Mellow out in the warmth of Strauss’ Blue Danube Waltzes, and stir your soul to Rossini’s William Tell Overture. Strauss’ Overture to The Gypsy Baron and Grieg’s Symphonic Dances complete the afternoon. Adult tickets are Twenty dollars, seniors and students fifteen, 18 and under, free. Order at Brockton Symphony dot org, or call the Symphony at 508-588-3841. That’s 3:00 PM, Sunday, March 12th at the Christ Congregational Church, 1350 Pleasant Street, in Brockton. The Brockton Symphony Orchestra – A Greater Brockton Treasure! Sponsored by Harbor One Bank.

Monday, November 7, 2016

Today's radio spot for next month's concert

Text of the promotional spot:
The Brockton Symphony returns to the West Middle School for Maestro Emilian Badea’s tenth Holiday Pops Concert on Sunday, December 11th at 3:00 PM.

We’ll lift your spirits with joyous world music and familiar favorites. Kate Higgins brings The South Middle School Chorus to sing "Ocho Kandelikas” and "The Christmas song." You’ll sing along with Anderson’s “Christmas Festival,” and clap along with Strauss, "Radetzky March.” Thrill to Khachaturian’s Adagio from Spartacus Ballet, “A most wonderful Christmas,” Paganini’s “Cantabile," Boulanger’s "Comme-ci comme-ca, "The Bells of Christmas,” “Have yourself a merry little Christmas” and Strauss, "Perpetuum mobile” and too many more to mention.

Adult tickets are Twenty five dollars, seniors and students twenty, 18 and under free. Order at Brockton Symphony dot org, or call the Symphony at 508-588-3841. That’s 3:00 PM, Sunday, December 11th at the West Middle School in Brockton. The Brockton Symphony Orchestra – A Greater Brockton Treasure! Sponsored by Harbor One Bank.

Monday, October 3, 2016

Brockton Symphony 69th Season starts October 23rd

Another wonderful concert, and (hopefully) wonderful promotional spot.

Tuesday, August 23, 2016

An Orchestral Season in Sixty Seconds

I've been promising my friends at Brockton Symphony and WCVB radio that I'd prepare a new commercial previewing the Brockton Symphony Orchestra's upcoming season. I've been so immersed in narrating and producing audiobooks this summer that I haven't even been blogging regularly. Here it is.

Saturday, July 16, 2016

Some audiobook narrators only have to read and leave the production to others

It is interesting to "see how the other half lives," in the world of audiobook production. This accomplished actress expected to spend 60 hours in the studio, but doubled that by the time she was done. I assume that all of that time was spent reading, with occasional do-overs. For those of us who serve as narrator/producers, the reading is the smallest part of the job. A common rule of thumb is 6 hours editing for each hour of finished audio. For a perfectionist like me, it sometimes takes 20 or more hours to get the quality I insist on. Best part of this is to see an article about audiobooks in the headlines.
Worcester, Massachusetts
Maggie Gyllenhaal put in long hours on 'Karenina' audiobook
By Mark Kennedy
The Associated Press
Posted Jul. 12, 2016 at 12:47 PM

[photo caption] Maggie Gyllenhaal will read the classic Leo Tolstoy novel, "Anna Karenina," for an audiobook. The Associated Press

NEW YORK — One of Maggie Gyllenhaal's favorite books is "Anna Karenina." So when she was asked to read the classic novel out loud for an audiobook, she didn't hesitate.
"I thought, 'This will be amazing. I'll just sit in a room and re-read 'Anna Karenina' out loud,'" Gyllenhaal recalled. "I just loved the book so much I thought, 'Yes, let's try and do it.'"
Cold, hard reality set in after her first recording session. Leo Tolstoy's masterpiece is over 1,000 pages and extremely complicated.
"A sentence will begin in one place and end really somewhere else. I couldn't cold read it. It just wasn't possible," said the star of "Crazy Heart" and "The Dark Knight."
So Gyllenhaal realized she'd have to do homework and put in long hours at the studio. The result is a moving and dramatic version, available Tuesday by audio seller and producer Audible Inc.
"It was amazing. I learned things about myself from reading the book in the way that I think a lot of people learn things about themselves from reading the book, whether its aloud or to yourself. And I learned different things about myself at 37 doing it than I learned when I was 25, which is also the mark of an amazing book."
Gyllenhaal recorded the book in lower Manhattan over the winter while her husband, Peter Sarsgaard, was filming a movie in Paris. The plan originally was for 10 six-hour sessions, but it turned into more like 30 four-hour sessions.
She prepared for each one by reading a different translation of "Anna Karenina" the night before, trying to stay 50-100 pages ahead so she could anticipate what came next in the recording studio.
"There were days when I got behind, but very few, because I found it was not really possible. There was one part when I got ahead of myself and I was cold reading in the room. I remember gasping at something I hadn't remembered."
One thing Gyllenhaal refused to do was adopt Russian accents to enliven the masterpiece about love, betrayal and death among the elite in imperial Russia.
"My skill really is not doing voices. I don't know how to do that. That seems silly to me. At the same time, of course, you want to create a world for people. But my skill is basically finding a deep kind of empathy for whomever I'm playing everything from their point of view. And `Anna Karenina' is the perfect book for that."
There was an added benefit: While she was reading the book, Gyllenhaal said she felt more engaged in life, going to three plays and an art exhibit.
"I found when I was reading the book that my brain was being exercised in the same way that when you're running a lot you all of a sudden feel the strength in your body."

Second blog post of the day after 3 month hiatus

How to Blog a Book: Write, Publish, and Promote Your Work One Post at a TimeHow to Blog a Book: Write, Publish, and Promote Your Work One Post at a Time by Nina Amir

My rating: 4 of 5 stars

I am posting my Goodreads review on my blog - my first blog post in 3 months! I'm posting this now, while still working my way through this excellent guide, for the express purpose of "blaming" Nina Amir for this neglect. She says, more than once, to complete all the preparatory work before posting your first post on your blog. Of course she means the blog on which you intend to "blog your book one post at a time," and she differentiates this from a personal blog that roams among various interests of the blogger. Mine has been the latter, but I'm intrigued with the idea of blogging one or more of the books I've intended to write for so many decades. Harry Browne, in his excellent How I Found Freedom in an Unfree World wrote of the "Previous Investment Trap." After putting time and money into a project, you hesitate to stop - even if you should stop. I find it hard to even contemplate scrapping 9 years of work and starting over, and am also too lazy to want to start one or more additional blogs. Thanks to Ms. Amir, I will do one or more of these daunting tasks because I don't want to die with my "music" still in me...

View all my reviews